Oct 17, 2005
Getting it Out There

Me with my iRiver, jamming out to
U-turn Cafe and sporting my "creative commies" shirt
I've
been listening to
C.C.
Chapman's Accident Hash, a new indie music
Podcast, for a few months now. He describes his show as "the best mix in
podsafe music" and boy is he right. My musical tastes are fairly varied,
but I certainly found myself liking his "mellow" themed shows a bit
more than his normal all over the map mix.
So when C.C. launched U-Turn
cafe, a podcast with nothing but chilled,
mellow music, I was psyched. Listening to the first few shows, I heard
his call for artists to sit down with a guitar and a mic and just record
something raw and fresh, and well, I went and got myself inspired.
Saturday night, I fired up my
iRiver 899 and sang + played my heart out. The
result is undoubtedly
the most professional recording I've ever managed. This is slightly
ironic because it was done in 1 shot with a small mic and a little
device, rather than the hundreds of dollars of recording equipment I
have ready for the task, and the hours I usually spend futilely trying to
get a good mix.
I've also gotten in touch with some of my favorite indie artists to
encourage them to join the podsafe music network and get their music out
there for anyone to play. Edie
Carey has taken me up on my suggestion,
and her amazing music is now available
there. Anyone can go take a
listen, and podcasters can download her tracks to play on their show!
I sent C.C. my song with a quick message attached, and pointed him
to Edie's music, wasn't sure if I'd get a reply. After all, C.C. is a
very busy guy. Was I ever ecstatic when I read his email:
Ok dude, there is WAY to much goodness in this one single e-mail.
Thank you for it all. Everything is perfect.
I checked out Edie's music last night. I was editing together all
sorts of music segments that will be played on IT Conversations stream
of the Pop!Tech conference so I made sure to get her in there so that
she'd have her first play and thus start showing up in the Featured
Artist rotation on the site. Damn is she talented.
Now I need to find some time to do another u-Turn. I'm getting such
great music!
I LOVE what you did with your whole intro and then the song. I need
more people to do that.
PERFECT! Thank you!
-C.C.
That email made my morning.
Now, I realize, I have to get things ready around here - I don't even
have a proper music page to point people to!
3:51 pm | permalink |
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Jun 08, 2005
My Brain is Trying a Mutiny, Screaming Pirate Slander

It's
been a
long time since I've written a really good song. I have 2 or
3 in my collection that I really consider worthwhile with the distance
of a few years from them, and I haven't written one that fits that
description since around 1999.
About a year ago at work I became comfortable enough in fact
that no one can hear me as I sing, just barely audibly, with my
mp3 collection. I paid no attention to the fact that I was singing
softly 3 or 4 hours a day, and simply did it for the love of it.
It seems that my little pastime has been a covert training program, as
in the past 3 months, I've re-found my voice and pitch control, and I've
had a new stream of songs come directly into my head
without pre-meditation. I simply start singing to myself and then "pop"
there it is, chords, chorus, and a vague idea of where the verse should
go.
I've finally filled in the details for one of these little instant
ditties, and it's raw, punky, geeky and ultimately pop. I wish I
could record and produce a version that matched what I hear in my head,
but I have yet to master the art of production. I'm actually considering
renting a studio and hiring an engineer to help lay this one down in
professional style.
Anyone know a cheap and decent studio in NYC?
Here's the rough-cut mp3 of "Heavy
Eyelids". As with everything else on
this site, it's under the Creative Commons
Attribution-ShareAlike license, so feel free to share,
remix, re-record, and even sell it - just be sure that any work you do
based on this is under the same license, and you give proper
attribution. It's open source music.
Speaking of, if you'd like to see the "source code," Here's the
lyrics +
chord sheet. If anyone would like to try their hand at remixing this
from the original tracks, contact me at WebFront2005
AT Glitchnyc D0T
com.
UPDATE: I've remixed it with some serious
tweaking to the electric
guitar. It was far to "fuzzy" to be enjoyable before. I also played with
the levels a bit. Still not pro, but much better. Click on the link
above to download the updated version.
1:50 am | permalink |
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Jun 25, 2004
Meg Hutchinson's "The Crossing" Released

In the
interest of full disclosure, I have to admit that I've been waiting for
this album for over 2 years.
I first became a Meg Hutchinson fan about 5 years ago now when handed a
CD of hers by a friend from back home, where she'd seen her play. I was
immediately taken by Meg's high, sweet, smile-tainted voice and
evocative and image-heavy lyrics. It was a very solid independent album,
and
Meg found herself on the cover of the metro, the Time Warner Cable
Access music show "Sounding Board" and the winner of 4 "New Folk" and
songwriter awards in 2000.
Against the
Grey stayed in my playlist for over 3 years,
even outlasting most of my
Ani
Collection and various other flavors of the
moment. When I finally got a chance to see her live around 6 months ago,
I was thrilled, and somewhat star struck.
The thing that floored me - still floors me, in fact - is the amazing
different between Meg live and on CD. Her music on CD is catchy, sweet,
and nice. Her music in person is emotional if not religious, and her
soft voice draws you so far in that watching her perform is like
watching a powerful movie. You don't mean to be so involved, and you
have occasional moments of clarity where you realize where you are, but
for the rest of the time, you're completely lost in the world of the
performance.
Meg performed various songs from her live album which I bought the next
day and alluded to the imminent release of her new CD, the crossing,
which made up the rest of the music she played that evening.
I got the CD in the mail today, after many studio delays and the time it
took to ship, and it's nothing short of awesome.
This isn't just a good folk CD - this is a good folk CD with two or
three radio-worthy singles on it. I'm half excited and half terrified
that this could be Meg's breakout album, propelling her to folk stardom
in the next few months.
The first three tracks on the album alone have definite grooves, I really
feel that the titular single could climb the charts.
8:34 pm | permalink |
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Jun 24, 2004
Pretty Girls Make Graves

And pretty good music
apparently
This is why I love bittorrent.
I've been surfing around Suprnova.org
(leave out the e for.. umm...
extraneous lawsuits?) looking for some new music for a few
days, and not only have I been finding lots of bands that I've always
meant to listen to, but I've been finding complete albums and discographies.
Getting the whole album - not just popular songs, or mislabeled mp3's or
bad live recordings - is freaking awesome. This was the reason that I
converted my CD collection to MP3 back in '96. I wanted an easy way to
play the music that I liked, and had already paid for. Because most of
my collection is legit, I've got everything organized by Artists and
then full albums, so having random downloaded singles in there is a
pain.
We saw Pretty Girls Make
Graves open for The Atari's a while back and I found myself liking
them but hadn't gotten a chance to listen to their stuff. Listening to
it now, I can say that I like the whole album, and I'll both look
for more PGMG shows now and will probably buy CD's and merch there to
support them.
I thought Napster and other programs were neat, but because my
collection is generally of complete albums I already owned, I really
never used them to download gobs of music.
The "bandwidth is free" culture of Bittorrent where people are
encouraged to make complete collections and link them all together as a
torrent has finally peaked my interest as a downloader, and I feel does
a lot more for the artists involved because it gets people to listen to
their whole body of work and become fans, rather than just grabbing the
single and forgetting who sings it.
The "no central server" principals of Bittorrent should also keep it
going against the efforts of the RIAA, so long as sites like suprnova
don't become too central. There's also an implied safety to downloading
with BitTorrent - It's not encrypted or secret, you can still be sued,
but with BT, you're going in and making surgical downloading strikes.
You get what you want, share it back while you're downloading it and a
little bit after, and then get out.
BT is also the first filesharing system to really have a case as a
legitimate file sharing tool - I've used it to download the last few
versions of Knoppix and Fedora Core, and it's just flown along. Keep
your eyes on it, I feel like
things are about to get really
interesting.
3:44 pm | permalink |
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Mar 10, 2004
Great Independent Artists - Edie Carey

Over
the course of the past few years, I have managed to find a couple
great independent artits, and I'm going to start profiling them a bit here
to share them with others and hopefully promote good, non-RIAA art.
I stumbled opon Edie Carey on CDbaby.com while buying
another indie CD, and really liked her stuff. Little did I know that Sara
had also found Edie on MP3.com years ago when she burned me a custom
"indie artists" cd for christmas.
I listened to her free
sample playlist, really liked it,
and got the full cd. Turns
out, it's even better than the little snippits CDbaby gives you listen to.
Very nice stuff.
See more ...
4:51 pm | permalink |
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