Sep 29, 2004
It's a crime that I haven't blogged this yet

The
iTop in action
I really can't believe I haven't found a free moment
to blog about this
yet but I blame
pokerroom.com and
their free, Linux friendly Java client and No Limit Hold 'em tables.
When Jon was in town a few months back, he and I went exploring in the
giant Toys R' Us in Times Square, the one that extends up AND down a
full 3 stories in each direction from street level and has among other
things, a Giant animatronic T-Rex and a Ferris Wheel inside. I have, of
course,seen
all these things before but it's
always fun to poke around in there and see whats new, especially because
Jon and I have visions of one day becoming DIY toy designers and making
our fortunes.
While we were walking through the "Center display" where they feature
the "latest mass marketing push" item we were stopped by a man dressed
in a cross between a wizards robe and a "king" costume, deftly spinning
the iTop. Of course I was
impressed, mostly because the technology behind the thing had to be both
pretty advanced and pretty cheap. They were selling the little device
for $10.
I picked up the top and gave it a spin, and was immediately hooked. It
was counting the number of times I spun it and displaying it in real
time using the single row of 8 LEDS on the top. As the top whipped
around, it flashed the lights in sequence, spelling out words and
numbers.
Jon and I took several turns trying to beat the best score, but
eventually we ran out of time and had to go.
A few months passed and I had all but forgotten about the iTop (I
hadn't bought one since I was saving for the wedding) and I found myself
needing to buy presents for my Groomsmen. I don't know about you, but I
have no need for an engraved money clip. What I do have is an
endless appetite for fun desk gadgets and challenging games.
When it came time, I bought one of the iTops for each of the Groomsmen
and included them in a bag with The Open CD (which includes lots
of
open source tools we used to put the wedding together, like Scribus and
Open Office) and a CD with all
the mp3s we played at the wedding. I was
worried what they would think about they toy, if they would like it as
much as I had and if it was appropriate.
It turns out that I was worrying for nothing! By the end of the
rehearsal dinner, we were all sitting around, trying to beat the best
score and trying all sorts of surfaces to get the best spin. I think
we'd just broken 900 when we finally went to bed.

Jon
and Rye spin while in their
tuxes
The
guys spent tons of their downtime playing with the tops, and by the
time the wedding rolled around, they had figured out how to keep it
going indefinitely by brushing their hand quickly along the edge, and
had invented a new game where you spun it in the air to see how many
times you could get it around before you caught it. The iTop was a hit!
The day after the wedding, we finally got home to Astoria to find a
message on my cell phone. I listened to the panic inducing message
nervously, as many friends were driving home that day, and with the tone
of the message, I was worried that someone had been in a car accident.
"Ten" the voice on the message screamed. A chill ran down my back. I was
confused by the message, but the voice was hard to read. Who was it
from?
"Fourteen!" The message continued, again in that slightly panicked yell.
I was sweating now. I didn't know if I was listening to a prank, if
something horrible had happened, or what.
"Ten-Fourteen! 1014, new record on the iTop! Just had to call and tell
you. We're up at college safe. Have a good trip."
Rye hadn't been up at school more than a few hours before they'd broken
out the iTop and shattered the standing single-spin high score. He had
called me out of excitement! I let out a sigh of relief and laughed.
What a great little gift that had turned out to be.
Little did I know that in the week were on our honeymoon, Ryan's friends
at college would make our standing records look paltry, inventing new
ways to spin the top and spurring us to break the contest into separate
events like the "Snap" method and the "Indian fire" method.
Meanwhile, back out in California, Jon was experimenting with different
materials to spin on to try to get the best spin out of his and up in
Rochester, Doug was showing his (slightly wonky one) off with his work
buddies. I don't know, maybe we're all geeks in the same way, but for
$10, that's one hell of a toy to me.
Way to go Irwin toys. Toys
R' Us seems to be having trouble keeping them in stock in their NYC
store, so I don't know if they're having trouble keeping up demand or
they're just flying off the shelves. Either way, its good to see such a
great product selling well, especially without a major advertising push
or paying for a license to brand it with some kid-friendly logo.
If you buy an iTop:
- Beware that some of the tops are slightly off
balance. So far, 2 out of 7 were just a bit wobbly. For $10, it's well
worth the risk, and it's still a fun toy, but you might not beat the
world record with it. Also, watch the packaging to make sure the
"battery seal" is sill intact in back
- Check out the "secret
modes". Switch to mode 1 and then hold both the play and mode buttons
for 5-10 seconds. The flashing modes will do cool things like draw
patterns and display a compass.
3:21 pm | permalink |
/technology/gadgets |
0 writebacks |
Sep 24, 2004
Hitchhikers Guide Radio Shows for FREE!
Okay
- I seriously love the
BBC.
First of all, if you aren't watching Coupling already, it's one of
if
not the funniest show on TV. BBCAmerica runs it
in syndication.
Second, they've just released audio streams of the new version of The
Hitchhikers Guide to the Galaxy for free on the net. Each episode will
apparently be available for 7 days after it airs.
I've actually never read the books.
My only exposure to it was a game I
played for the Commodore
64 (that's a link to a new version of the old game!) back in 1991
and some friends who were giant
Douglas Adams fans. So far, I've listened to 8 minutes of this, on and
off, and I've already laughed about 10 times as much as I did through
the entire second episode of Father of the Pride. Not that that's any
great bar to measure by, but that's apparently this season's best
comedic offering.
I'm also amazed that they chose to do this as a radio play. As far as
I'm concerned, the decision was a masterful one. My brain is
filling in the effects just fine, and I don't have to worry about how
crap the CG looks. I can just lose myself in the very funny story, and
the production values of the audio are great. It's as if they took the
money they would have spent shooting it for TV and poured it into
creating cinema quality audio. Very nice.
- Audio feeds:
- And, good stuff from the Slashdot comments:
- Save the stream:
mplayer -dumpstream
mms://wm.bbc.co.uk/radio4/hitchhikers/h2g3_episode
1.asf
- Listen to "Primary
and Secondary phase"
- Even though I don't know
what
that means, this series is apparently the Tertiary phase. So is this the
third retelling, or does it pick up somewhere in the 3rd book? Or maybe
it's just the third radio series? Whatever it is, it's fine to start
listening right here as I did.
Ya, this was stolen from Slashdot,
but it was too good to
not mention
again!
10:47 am | permalink |
/life |
2 writebacks |
Sep 22, 2004
Like a Basket Full of Laundry

Ahh, the mighty G-2
Thank you cards are the ultimate
procrastinator-maker. If I'm not working on them, I can't bring myself to do anything else,
(you know, like blog or post wedding pictures) because I should be
doing thank-yous instead.
It's not that I don't want to write them, I've unexpectedly enjoyed writing them for the wedding as I've gotten
to spend one last personal moment with each person through them and it's made that feeling of the wedding - the
feeling of being surrounded by throngs of people you love - last just a bit longer.
The problem is, I can only write a few of them a night. I'm not just scribbling out a short "Thanks, love
Eric + Sara" I'm having conversations with people here. To clarify the problem a bit - If I was writing thank
you e-mails, I would be in a much better position.
You see, I can type like lightning when I know what I want to say
(and have a spell checker to clean up after my typo's), but my handwriting has been downright awful since the
first grade. I even changed to writing in all caps in 9th grade to try to clean it up a bit, but to little
avail. I've settled for a script I like to call "stylized doctor scratch" and will only write with my
easy-flowing Pilot G-2, but I rarely, if ever, engage
in the actual art of putting pen to paper for anything
other than doodling.
Beyond the embarrassing chicken scratch look of my handwriting and inevitable typo (write-o?), writing is
actually physically excruciating for me. I just can't get my hand to move that way consistently. It's almost
comical, seeing as nearly everything else I do in my life involves using my hands in some fashion, but for some
reason the combination of deep thought, fine motor skills (the writing) and gross motor skills (the picking up
of the arm to continue writing a line) has just always posed problems for me. I must either go so painfully
slow that people have genuinely asked if I've had a stroke or have some other mental deficiency, or write like
a third grader and throw in lots of big first letters and fancy strokes when possible to make it look like it's
all supposed to look this way.
The funny thing is, about a year ago, my brother, father, and I all picked up pieces of paper and realized
that
our handwriting was all but identical, even thought my brother and I did not learn to write from my father. We
all developed
the "small-caps" style independently, and generally mix cursive and print in the same ways.
Weird. Maybe it's genetic? I've also found this specific pattern of writing to be an exclusively male trait.
Anyone else an expert in "barely-legible-all-caps-big-T"?
12:55 am | permalink |
/life |
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Sep 20, 2004
Missed Chuck Palahniuk, but Albany Folks Can Catch Him
I
missed one of my favorite authors,
Chuck
Palahniuk, reading in NYC tonight because I was just too pooped, but
anyone up in the Albany area can catch him
tomorrow
night.
His readings are famous for being raucous, with space
monkeys or a local chapter of The Cacophony Society coming out to
heckle him and/or faint
as he
reads, perhaps following an implied suggestion he probably now wishes he never made.
He's written seven books
since Fight
Club, but the lucid narrative and penchant for the fine details of the mundane and unusual alike is
a
theme throughout. Chuck is touring to promote his new book Diary,
which I must now find and
read. If you've still only seen Fight Club, make it a point to pick up the book. It's similar to but far
superior to the movie, and the book Choke
is even better.
If you go tomorrow, just a fair warning - he has a habit of throwing limbs at an
unsuspecting audience.
11:15 pm | permalink |
/life |
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Sep 15, 2004
Artbots show in NYC this weekend!

The Bionic
log will be on display
this weekend at
ArtBots 2004.
I want to be these guys when I
grow up.
I don't usually like to repost stories from BoingBoing but this crazy "build
your own wacky robot and show it off" art show is going off in Harlem
this weekend.
If you're an electronics geek and in or near New York this weekend, this
is the place to be. With luck, I'll be there asking tons of questions
about how they did stuff, as research for a new project I'm working on.
More details on the "project" after I
clear it with my lawyers...
It.s an ArtBots invasion in
Harlem! The Third Annual ArtBots:
The Robot Talent Show will take place on September 17, 18,
& 19 from noon to 6:00pm
at The Mink Building on 126th Street & Amsterdam Avenue in
Harlem. Featuring the
work of 20 artists and groups from seven countries, the
show celebrates the strange and
wonderful collision of shifty artists, disgraced engineers,
high/low/no tech hackers, rogue
scientists, beauty school dropouts, backyard pyros, and
industrial espionage that has
come to define the emerging field of robotic art.
Participants include robots that sketch,
carve, float, wiggle, hum, ring, grow, wander, and sing, as
well a number of works the
form and function of which are not yet well understood.
2:01 pm | permalink |
/technology/gadgets |
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Sep 12, 2004
Interview with Ravi "The Scorpion Mystic"

Ravi
balances,
standing with one
foot behind his
head in Times
Square
as onlookers gawk
During
lunch a few weeks ago I got a chance to talk with
Ravi, and he did a brief street performance in Times
Square while I took some
photos.
He was fascinating to talk to, and I
was struck by the similarities between Ravi and a
professional artist or musician. Succeeding in the sideshow world takes
talent but, even more so, it takes the courage to put the rest of your
life on hold and take a gamble on making it to pseudo fame.
GlitchNYC: Okay, lets start at the beginning. How did
you get into the business? Your bio on both your
personal
site and the
Coney Island
site has a story about being stung by a scorpion when you
were young. A lot of the sideshow is about misdirection and theatrics.
How much, if any, of your story is true, and how much is,
well...
Ravi the Scorpion Mystic: Bullshit? (laughs) Well, a
lot of it is true actually. The scorpion didn't give me my abilities,
but I was stung at the age of 2, lying in a hammock in Trinidad. I was
really sick growing up because of it, and I was on lots of antibiotics.
I had vision and hearing problems, and really couldn't be physically
active until I was around 10 years old.
While I was sick, I experimented with my fingers, and between the ages
of 6 and 10, I started to get a reaction with what I could do with them.
I loved the attention.
When I entered secondary school at 10, I took it upon myself to learn
about physical anatomy, and I started experimenting with the flexibility
of the rest of my body.
Generally, if you've seen one contortionist, you've seen them all, but I
try to stay original by learning as much as I can about what you can
really do with the human body.
gNYC: Are you double jointed, or is your flexibility
all from training?

Demonstrating
his
range of motion
Ravi: Because I did most of my training before my
skeletal structure solidified due to testosterone at the onset of
puberty, I was able to train my body to be flexible right down to the
joints themselves. If you look at my hands, my knees, you'll see I have
extra large joints, and it's not just because I'm a skinny guy. The
joints are actually over-sized to compensate for the increased range of
motion.
I can push my joints to and past normal extent of their motion (which he
demonstrates by folding his hand first down in the normal direction,
with his palm facing his wrist 90 degrees, and then pushes his hand down
until his palm is flat against the inside of his arm) and then back
other way, (which he again illustrates by folding his hand back the
other direction until the back of his hand rests against his arm.)
gNYC: Before you were part of the Coney Island troupe,
you were picked up by
Disgraceland Family
Freakshow (which performs at
Korova Milk Bar in NYC at 10:30
every other Tuesday) How did you get started there?

Folded
in half
Ravi: I have a very close friend, EL-e, at a tattoo
shop, who knows Spliff of Disgraceland. One day, we were all hanging out
at the shop and it was a very slow afternoon, so I free-styled a set,
showing off what I could do at that point.
EL-e was impressed and got me in touch with Spliff.
Now, Spliff and Evil [Elvis] must both agree to make a decision for
Disgraceland, and when I went to meet with Spliff, he called Evil right
up. He said right there on the phone "You know that other kid we were
looking at, the contortionist? Forget him. I've got the real thing
standing right in front of me."And that was that.
gNYC: So now you're in both shows, Disgraceland and
Coney Island. How did you make that jump?
Ravi: I was working Disgraceland and taking a break
from my college schooling, and actually went down and auditioned for
Coney Island.

Look
closer at his legs in this
picture
gNYC: What was auditioning like?
Ravi: Well, Mr Ziggin was the only one there. It wasn't
an organized audition or an open call really, it was more going to show
them what you could do and sell yourself. I ran quickly through
everything I could do [as Ravi had done for me during
our photo shoot, walking through his tricks with complete ease, without
the theatrics of the show] and, Mr. Ziggin advised me to put together a
full act with music.
gNYC: So is that when you really honed your act into
the show it is now?
Ravi: Well, Disgraceland had to teach me a different
way of being on stage before that. My first gig was as a wrestling
contortionist, which is obviously a bit different than the show I have
now.
I'm a huge fan of WWE.
gNYC: Wrestling is kind of a modern sideshow,
theatrical
performance to add drama to the physical action, and they do have actual
skills

Ravi
draws them in
with drama, feigning
being stuck in the
tennis
racket.
Ravi: Exactly. Step in the ring with me for 5 minutes
and I'll show you wrestling isn't fake. It's not only athletic
competition, it's also a theatrical performance, but the wrestling part
of it, all the hits and falls and slams, everything is real.
As far as the drama, well, the truth is everyone loves drama. For my
act, I have to show reactions. It's the drama that gets them, before the
actual skill catches them off guard.
gNYC: So what's next for you?
Ravi: Once I finish school, I'll definitely maintain
what I'm doing. What I'm doing in school (auto mechanics) will just be
another road.
gNYC: Staying flexible.
Ravi: Right. I like to be diverse. Being diverse,
skill-wise, makes you more flexible in life. It gives you more
choices.
gNYC: I know for many professional performers such as
dancers, being flexible and maintaining high level of performance can
take a toll on their bodies. Does it ever hurt you?
Ravi: Only when I'm sick or incredibly cold. Most of
the time I block it out, I do a lot of Shaolin kung fu training.

Try
this one at home to get a
real sense of Ravi's flexibility;
fingers just don't bend like this.
gNYC:
Shaolin?
(Ravi looks over my shoulder)
Ravi: (Laughs) I just wanted to make sure you were
spelling it right. Yes, I'm a member of the
USA Shaolin temple, under
Siefu
Shi
Yan Ming. As his disciple, I am Shi Heng P'an. Shaolin is the
birthplace of all
kung
fu and the birthplace of all martial arts.
gNYC: I don't know that much about it, but if I'm
right, Shaolin is focused more on mind and spirituality rather than
defense or fighting.
Ravi: Yes, that's how I've been able to block out how
I'm physically feeling. It's taught me how to call upon my chi, or my
spiritual energy and allowed me to apply that meditative state whenever I
need to, whether training or not.
gNYC: Lets talk about Coney Island for a second. It's
the oldest continuously running sideshow in the US. Is there
still much of a
draw?
Ravi: It's still commercially successful. Like
everything, it has its ups and downs, but it will always be there. It's
like the statue of liberty.
gNYC: Anything you'd like to plug before we finish
up?
Ravi: Certainly,
Disgraceland
Family Freakshow, which runs just about every other Tuesday at
Korova Milk Bar, which has been
a wonderful host to Disgraceland.
Also, of course, the Coney Island Circus
Sideshow.
gNYC: All-right, I think that wraps things up. Well,
thank you so much for spending this time with me this afternoon.
Ravi: No problem, and Thank you!
12:09 pm | permalink |
/life |
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Sep 09, 2004
Eric Conveys An Emotion

Unemployed
"Emotion Eric"
(not me!) has way too much time on his hands. He'll take a picture of himself conveying any
emotion
(or "reasonable facsimile" of one) that you ask him to.
Amazingly stupid as this concept is, you can't help but laugh after you flip through 10 or so of these. The
faces the kid makes are just really funny sometimes. For example, try to look at fear without "hearing" him make a
sort of "whaaaaugh!" sound.
Unemployed (shown at right) was pretty funny too.
EmotionEric.com
11:19 am | permalink |
/technology/web |
0 writebacks |
Umm, what the hell is this?

I just saw the print ad for this on the phone booth
outside our offices on 8th and 35th in NYC:
Mattel is turning Barbie into a fashion
line.
Am I the only one who finds this wretch-inducing? How many times have I heard the mantra of "Barbie is evil" and
heard her name associated with such cultural ills as a racial stereotypes, negative body image, and the
tendency
of her spine to break under the weight of her own boobs if she were real.
All the while Mattel has been claiming that it's just a toy, that girls won't try to model themselves after
her,
and by the way, look at all the good things Barbie has done...

Meanwhile, they profit
off the very concept
of grown women modeling themselves after their shallow icon. Perfume
and
makeup lines are in the works as well, along with another line of clothing for - you guessed it - young girls.
Somewhere in a corporate corner office, Matthew
Bousquette is cackling like a madman.
Anyone want to take bets on how long it is until we see "Hot Wheels" brand custom car mods at AutoZone?
UPDATE: I just saw another one of the NYC posters and snapped a photo
(left). I think this poster captures the essence of what I was talking
about a bit better. This girl is maybe 16 but probably younger, covered
in makeup to smooth her features and make her resemble the doll, and
maybe it was
just the angle of the poster in my photo, but isn't her head a bit large
for her body?
The Mattel site has absolutely nothing about this right now, so I can't
tell if this is the "With love, Barbie" teen line, or the Adult fashion
line. I'm not even sure which would be worse.
9:40 am | permalink |
/life |
0 writebacks |
Sep 08, 2004
Bedlam in the Subways

Travel
in New York City ground to a halt during the rush hour commute
today, due in large part to what's left of Tropical Depression Frances.
All during the night one arm of the storm, still spinning just off the
Appalachians, Frances let loose on our metropolis, soaking us with 12
hours of steady rain, and 2 1/2 hours of torrential downpour.
This all added up to flooded tunnels, soaked tracks, and major delays on
of the transportation systems in the city.
I got some pictures
of the congestion at 42nd street between the 7 and
the A C E after the N/R lines and the 1/9 lines were shut down for
"water/signal problems." In particular, check out this movie
of people
going nowhere fast.
Seeing this many people all crunched together reminded me of the
blackout,
except replace the strange euphoria of that day with an angry
"I'm late for work and my boss is an asshole" attitude.
That, and it was around 120 in the subway - so hot that my camera fogged
up every 5 seconds. If you watch the movie closely, you can see the fog
encroaching in from the corners even as I shoot.
5:59 pm | permalink |
/life/nyc |
0 writebacks |
Sep 07, 2004
Jack and Bobby
The WB is airing a new series titled "Jack and Bobby" starting this Sunday at 9.

When I first saw the poster on a bus, my brain immediately
played the word association game and shouted out
"Kennedy" in my head. Upon seeing the tag-line "In 2041, one of them will be president," I was intrigued. Was it
a show about the Kennedy's as young boys? How could it be if it was set in present day?
Here's the show's writeup from theWB.com:
If
"greatness is thrust upon us," as Winston Churchill once said, then it's equally true that those
who are destined for greatness are rarely aware of it. Take Jack and Bobby McCallister, for
example: two bright young brothers growing up under the watchful eye of their eccentric single
mother. Her personality is a force
of nature destined to shape both of these young men's lives and secure one a place in the history
books - as future President of the United States. Set in present day, with flash-forward
interviews of future-President McCallister's White House staffers and first lady, it's a snapshot
of a young man being molded to beat the odds and become the mid-century's greatest presidential
leader.
Looks like it might be interesting.
10:09 pm | permalink |
/technology/tv |
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Sep 06, 2004
New Orleans Travel Stories: Haunted History
New Orleans Travel Stories:
Our first night in New Orleans, we arrived around 2pm and immediately began our vacation.
After eating amazing Gumbo (which Sara really liked!) and a 3/4 of a giant turkey club, We ventured into the
French Quarter and found ourselves on the Haunted History
Tour.
Mortalis had recommended
Haunted History by
name after she
returned from New Orleans, and I'm glad we followed her advice.
The tour was more historical than sensational, and the guide talked about hauntings with a tongue-in-cheek
irreverence. One story is paraphrased below:
"One
of the peculiar features of architecture you'll see here in the French Quarter is the galleries that are
above you. These are different from balconies in that they extend over the entire sidewalk, and are supported
by the iron columns that you're leaning against.
If you look up, you'll notice this gallery has spikes protruding all around near the top of the column. Now
these are as much to keep out burglars as they are to protect what's inside, and if anyone here has a teenage
daughter, you know exactly what I mean. Here in New Orleans, we have a special name for those spikes,
Romeo-Catchers.
One night, at his very gallery, a man was to take out his family to dinner, but his daughter didn't feel up to
it. She feigned illness, but insisted that the rest of the family go without her. You can already see where
this is going, can't you?
Sure enough, as soon as the family is gone, her beau shows up, and they begin to do exactly what teenagers do
when their parents aren't home...
Talk politely in the study of course, or at least that's what the daughter would profess to later, because you
see, as soon as the father got to the restaurant, he realized, "gawl dang it!" He forgot his wallet. So he
starts
on home to get it.
When you're a teenager, you know everything, don't you? There isn't anyone that can tell you anything. So the
boy, in his brilliance, doesn't go out the back when he sees the father coming, no. He doesn't hide quietly
downstairs no! He goes POUNDING up the stairs to the daughter's bedroom.
Well the father he comes in, and he knows something is up, he hears the noise going up the stairs, and he does
what any good southern man would do in his situation... He grabs his shotgun.
His daughter wailed, and tried to stop him, she didn't want him to go upstairs and kill her boyfriend, but he
simply moved her aside, and went on up the steps. Now later, the father would say that he didn't load that
shotgun, or at least that's what he said in the official police report, which was in the paper, which you can
find down at town hall. All of our papers were transferred onto uncatalogued microfiche, so you'll have to
search, but it's there for you to find.
Now the boy had gotten a brilliant idea. He was going to slide down the gallery pole and let go just as he
passed the Romeo-Catchers, and then grab back on. He was all set, and had just let go, everything was going
well when BOOM! The father bursts in the door.
The boy sees that angry father, and he sees the shotgun, and he's so scared, he grabs right back on to that
pole.
The Romeo-Catcher catches him in the leg, but it doesn't stop there, It tears up through his thigh, through his
pelvis bone and up through his stomach, crack crack crack through his ribs, and finally breaks his collarbone,
and the boy falls to the street below.
Now the head, they say it can survive 45 seconds without proper blood supply, and they say the boy looked back
up at the Romeo-Catchers from where he lay and saw, streaming up from his stomach, the eviscerated bowel
which
had just been ripped from his body trailing back up to the iron spikes.
So if you're standing out here on a warm spring night, leaning on that very pole that you're leaning against,
and feel something dripping on your shoulder, and go up to touch it, and realize that it's a bit sticky, you
look at your hand. Suddenly, you begin to panic, because you realize that there's blood on your hand, dripping
into your hair, and you look up and see the gore oozing down that pole, you're going to scream. You're going to
run up and down this street, screaming that someone's been killed on the gallery, but no one's going to come
out.
Nope, they've heard it before. Multiple reports of the same story are in our papers, dating back for ages. I've
seen the papers down at the library, but I'll let you look for yourself and make up your own mind.
11:54 pm | permalink |
/life/travel |
0 writebacks |